Sunday, June 12, 2016

Blogging Marvel's Master of Kung Fu, Part One

Special Mavel Edition is a little remembered comics reprint title of the early 1970s. Its fifteenth and penultimate issue dated December 1973 featured the debut of a new series, Master of Kung Fu. Marvel’s timing was perfect as Bruce Lee was now a major star at the U.S. box office and David Carradine’s Kung Fu series was a critical and ratings success on the small screen.
Marvel had optioned the rights to Sax Rohmer’s Fu Manchu characters several years before when Pyramid paperback reprints of the 13 Rohmer novels were selling strong thanks to the popularity of the Christopher Lee film series. Marvel already had their own Fu Manchu clones in the form of the Yellow Claw and the Mandarin, but Master of Kung Fu gave them the opportunity to build a contemporary martial arts title out of a sequel to Rohmer’s highly influential thriller series.
Conceived by Steve Englehart and Jim Starlin, the decision to incorporate Sax Rohmer’s characters was at the insistence of Marvel editor Roy Thomas. Englehart enlisted the aid of Robert E. Briney, publisher and editor of The Rohmer Review fanzine to ensure the continuity was consistet with Rohmer’s long-running literary series.
Similar to Marvel’s contemporaneous Tomb of Dracula series, the focus was placed on a young adult descendant of an iconic literary villain who teams with the previous generation’s aging heroes to combat the master villainy. In this instance, the descendant was the newly-introduced son of Fu Manchu, Shang-Chi. Debuting as an assassin of the Si-Fan, Shang-Chi’s first assignment is the murder of Dr. Petrie. A fateful encounter with the wheelchair-bound Sir Denis Nayland Smith enlightens the young man that his father, in spite of his genius, is not the honorable man his reputation suggests, but rather a megalomaniac who must be stopped.
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Friday, June 3, 2016

The Fu Manchu That Almost Was

The late Harry Alan Towers is best remembered by Sax Rohmer fans for writing and producing five Fu Manchu films starring Christopher Lee and two Sumuru films starring Shirley Eaton in the 1960s. Towers would later write and produce a third Sumuru film starring Alexandra Kamp in 2003. This effort was a sci-fi reworking of the concept that owed little to Rohmer. What is less well known was that Towers had also spent years trying to make a sixth Fu Manchu film that would also have marked a significant break from its predecessors.
Towers’ original treatment was copyrighted and revised several times over the years. The project started life as Fu Manchu, Master of the World(1979) and was also registered under the titles, The Secret of Fu Manchu (1989), Fu Manchu, Emperor of Crime (1992), and Sax Rohmer’s Fu Manchu (1995). Towers came closest to seeing the project become reality when Vine International Pictures and LolaFilms teamed in 1999 to co-produce The Fiendish Trap of Fu Manchu (a title that perhaps sought to make atonement for the 1980 Peter Sellers spoof, The Fiendish Plot of Dr. Fu Manchu).